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Signs Taken for Wonders: Essays in the Sociology of Literary Forms, by Franco Moretti
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Shakespearean tragedy and Dracula, Sherlock Holmes and Ulysses, Frankenstei and The Waste Land—all are celebrated “wonders” of modern literature, whether in its mandarin or popular form. However, it is the fact that these texts are so central to our contemporary notion of literature that sometimes hinders our ability to understand them. Franco Moretti applies himself to this problem by drawing skillfully on structuralist, sociological and psycho-analytic modes of enquity in order to read these texts as literary systems which are tokens of wider cultural and political realities. In the process, Moretti offers us compelling accounts of various literary genres, explores the relationships between high and mass culture in this century, and considers the relevance of tragic, Romantic and Darwinian views of the world.
- Sales Rank: #1361689 in Books
- Published on: 1988-05-17
- Released on: 1988-05-17
- Original language: English
- Number of items: 1
- Dimensions: 8.90" h x .50" w x 5.50" l, .91 pounds
- Binding: Paperback
- 324 pages
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Evolutionary Theory and Literary History
By Ian M. Buchanan
In the striking final chapter of this book, and further developed in several essays since, Franco Moretti proposes a theory of literary evolution inspired by Charles Darwin. As is well known, Darwin's theory of `natural selection' has two key components: first, it postulates that change is random, more prone to failure than to success, and not the unfolding of a teleological process progressing towards some final form of perfection (humans are not more perfect than the humanoids they evolved from); second, it postulates that only those changes which give the creature a reproductive advantage in a given set of external conditions survive (survival of the fittest means survival of the fastest reproducer). Adapting this to the needs of literary history, Moretti renders `natural selection' as follows: (1) aesthetic variation is the product of chance; and (2) the literary marketplace determines which formal variations survive. In later works, Moretti brings in `world-systems' theory to account for the peculiarities of the market, thus departing from his initial quite strict focus on Darwin, but nevertheless maintains the original evolutionary model conceived here. The other striking piece in this work is the essay on Dracula and Frankenstein -- Moretti argues quite brilliantly that these novels reflect two different perspectives on apital -- that of owners and that of employers.
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