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The surprising truth about how the things our ears hear affect what's between them.
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Every day, we are surrounded by millions of sounds - ambient ones like the rumble of the train and the hum of air conditioner, as well as more attention-grabbing sounds, such as human speech, music, and sirens. But how do we process what we hear every day? And how does it affect our brains and our minds? �This book answers such revealing questions as:
- How do bats see in 3D with their ears and how did that lead to the development of medical ultrasound?
- What is it about the sound of fingernails on a chalkboard that makes us cringe?
- Why do city folks have trouble sleeping in the country, and vice versa?
- Why can't you get that song out of your head?
Starting with the basics of auditory biology, neuroscientist and musician Seth Horowitz explains how sound affects us, and in turn, how we've learned to manipulate sound: into music, commercial jingles, car horns, and modern inventions like cochlear implants, ultrasound scans, and the mosquito ringtone. Whether you're standing in a crowded subway or a quiet meadow, you'll never hear the same way after reading this book. The Universal Sense gives new insight into what the sounds of our world have to do with the way we think, feel, and interact.
- Sales Rank: #158955 in Books
- Published on: 2012-09-04
- Released on: 2012-09-04
- Original language: English
- Number of items: 1
- Dimensions: 8.55" h x 1.25" w x 5.78" l, .91 pounds
- Binding: Hardcover
- 320 pages
From Publishers Weekly
Brown University neuroscientist Horowitz has pulled off an unusual feat. His science book, about the way hearing shapes the “evolution, development, and day-to-day function of the mind,” can be genuinely poetic. It is also laced with humor. Horowitz says he attempted less a text than a venue for imparting “wonder.” He succeeds, unearthing one little-known gem after another.
From Booklist
We live in a sonic world. Sounds and vibration affect our mood, memories, and mind. Neuroscientist Horowitz’s aim is to amp up understanding and respect for our auditory environment. He draws on physiology, physics, and psychology to demonstrate “how sound and hearing have shaped the evolution, development, and day-to-day function of the mind.” Sound assists in mating, playing, and acquiring food. Hearing helps us stay vigilant and monitor our surroundings. Horowitz contemplates the difficulty in defining music and how it influences the mind. He highlights the power of acoustics by invoking our usual reaction to the noise of fingernails scraping across a blackboard, the employment of echolocation by bats, and the love songs of frogs. He defuses the hype of sound-based weaponry that dates back to Joshua and his hundreds of warriors who blew on rams’ horns and shouted in unison to collapse the walls of Jericho. It must be myth or miracle, since physics alone cannot explain the magnitude of such a sonic blast. The science of sound is fascinating, and Horowitz is an author worth listening to. --Tony Miksanek
Review
"Horowitz is endlessly curious and transmits his excitement to the reader. The book's clever combination of theory, speculation and quirky details makes it a fascinating reading experience." -- Margaret Quamme, Columbus Dispatch.
"Horowitz provides a fascinating insight into the remarkable impact that sound has on the workings of the brain." -- A.J. King, Nature, 29 August 2012 488: 588.
"The science of sound is fascinating, and Horowitz is an author worth listening to."� -- Tony Miksanek, BookList.
Most helpful customer reviews
22 of 25 people found the following review helpful.
Sounding Off
By Robert Taylor Brewer
Sound is all around us. Its meanings and contradictions shape our emotional responses. We have a hamburger franchise named after sound (Sonic) and we can supersize sound (Supersonic). Professor Seth S. Horowitz (aka Dr. Evil - a nickname he earned when he mounted a laser pack on the back of a brown bat) tries to explain the mysteries of sound in his neat first book, The Universal Sense. He begins with questions about the mysteries of sound, like "What is it about fingernails on chalkboard that makes us cringe?" Everyone who reads this book will likely add their own gnawing sound mystery. Mine is this: why is the sound coming from my iPad stronger when the device is fully cloaked in its iHome leather (more likely faux leather) bound casing, than when the device is taken out of its encasement and free to blare to the rooftops? A sound mystery.
Sound is technical as well as emotional, and we live in a world fascinated by big sexy words having to do with sound. The author uses one of these terms early, "amplitude modulation", our daily media is chock full of others, some of which have surfaced with the release of the new iPhone 5. Newspapers were running stories about "Circuit Switchback" the process by which consumers using 4G LTE networks will be switched back to 3G when they use applications involving voice and data, because 4G LTE can't yet handle simultaneous voice and data transmissions, but 3G can.
But if Professor Horowitz's book was just about fancy sound terms, it would probably be dull and listless: This is your brain listening to Metallica; this is your brain listening to the sea. Instead the author begins the other way - with sound itself. He brings a sound to our ears and describes how we are changed by it.
In spite of the complexities of audio terminology, the book is full of simple truths: there are many blind animals, but none that can't hear. Sound is relative - to a bat, the 80 decibel sound of a florescent light bulb is maddening; true silence doesn't exist because wherever there is vibration, there is sound.
For all its factual content, this is a work of the imagination - it takes imagination to describe how the Earth might have sounded during its development phase; how the first planetary rains might have sounded, or how the first cilia may have sounded - anchored and waving on algae as they were. The author creates an improbable galaxy of undersea creatures sounding off - choruses of snapping shrimp, the violin sounds of lobsters, and most endearingly, farting herring. His work on the behavior of bullfrogs and bats will make you rethink everything you've learned about them.
Music, quite naturally, occupies a key space in the book as do speculations on probable outcomes for ongoing acoustic research. One book can't by itself cover everything in such a vast subject as sound, but it would have been interesting to hear what innovations and discoveries in sound companies like Cirrus Logic are making. All in all, it sounds like fascinating reading and it is.
17 of 18 people found the following review helpful.
A very informative yet easy to read book
By rgbonham
There is a perfect balance between humor and technical information in the book. It is kind of like having just enough sugar on your breakfast cereal so that you are not eating it just because it is good for you. I highly recommend it to anyone.
9 of 10 people found the following review helpful.
Turn it up to 11
By david o
Great book. Tackles sound from many and fascinating angles -- the shock waves of asteroids slamming into the young Earth; how Darth Vader's theme music drives the narrative of Star Wars; bacteria, frogs and bats. Mixes hard science and data with just the right touches of pop culture, humor and personal anecdote. This not a manuscript lowered down from an ivory tower. The author gets his hands dirty, and the book and readers benefit.
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